Category: life

  • Los Angeles Uprising and Riots – 25 Years Later (Originally posted on April 30, 2017)

    Los Angeles Uprising and Riots – 25 Years Later (Originally posted on April 30, 2017)

      This week marks the 25th anniversary of the Los Angeles, California riots, although many called it a rebellion or an uprising. I was living there when it happened. And yes, buildings very nearby my residence were set on fire, and yes, it was a bit unsettling for me and my roommate. I am glad to have lived through it, and what I experienced was something that I hope other people never have to go through. Again, it is a rather unsettling experience.

      Living in Los Angeles, California in the mid to late 1980’s as a single African American male was an absolute challenge, and an absolute challenge for me too. I drove a car back in those days; I don’t own one now even though I maintain a current driver’s license, but I did drive back then. And it was a real challenge to constantly encounter the local law enforcement stopping me often while I drove. It got to a point for me to consider not owning an automobile anymore; it just didn’t seem worth the hassle that I was going through with the local police. But I wasn’t the only one, and this built in a strange mental occurrence to my thinking about what this was and why it kept happening to me. And knowing that I wasn’t the only one, I saw my city become more agitated and aggressive toward each other.

      And then, in the early 1990’s there was an African American man who was being beaten by police after being finally being stopped following a high-speed freeway chase that ended on a residential neighborhood street. The driver of the car, an African American man, was defensive toward police after exiting his car, and the police physically beat him on the spot. A nearby resident across the street from the scene captured this police beating on his video camera, and the video was shown on the local news, which quickly went to national news, which quickly went to worldwide news. The video was stunning to watch, and it affected people everywhere. Afterward in Los Angeles, many of the people wanted to feel a sense of justice for this beaten man. But the courts and their verdicts did not assign quilt to the police involved, and the news of the verdict sent many of the people of the city into exploding emotions of anger and fear.

      My roommate was at work that day in Hollywood, we both worked at the same place. I was off from work that day, the day when the riot began. I was looking at the local news on television; I was appalled at what I saw, but I knew why so many people were so angry with the verdict. It wasn’t the verdict itself that made so many people react in anger; it had also been the many decades of turmoil that people of color and the city officials and departments had with each other that saw no sign of ever having an equitable existence with each other. My roommate called me at home on the phone and asked me to come and pick her up from work that day, and soon. I said of course, and while I had been watching the local news on television that morning, I had not yet been outside the house. I got in my car and drove down my short street to the main street arteries to turn south. When I made my turn and headed south, I was met with one of the most astonishingly awful views that I have ever witnessed. The entire sky to the south was black with smoke from building fires; it was as though there were the most menacing storm clouds that one could imagine were upon you. It was an absolute spectacle to see; it brought the reality of the anger being expressed by so many people into a sharp focus for me.

      I drove a bit south and then turned right and headed west on the street toward where my roommate and I worked. It was surreal, to have the sky so dark from the smoke of burning buildings on my left, and a still clear sky on my right. I arrived at the place we worked, and I went inside and found my roommate and tried to tell her we were about to see outside. She had not been outside yet, and when we got into my car and headed east back to the house, she too was astonished at what she saw when she looked south. The city was on fire, and there was no doubt about it in our minds. We both began to talk and plan on preparing for what might happen over the next few hours or even days at that point. We both wanted to live through this horrible event indeed.

      The violence and rioting did reach our neighborhood the next night, and the nights after that too. At one point, we needed food supplies in the house, so during one afternoon I volunteered to go out and get us some food. It was a fairly short walk around the corner from our house in Hollywood to get to a large supermarket at an intersection of two main city avenues. I walked across the intersection to where the supermarket was, and it looked strange.

      The employees had stacked up many pallets of canned goods up against the front windows of the store, and the windows were very large and went very high up on the building. It was eerie to say the least, to not be able to enter the store immediately; there were employees and guards at the narrowed front entrance to the store that spoke to every person before they could enter. When they spoke to me, they told me that in case the large front store windows were broken out by the rioting, people and goods would receive lees damage from the stacked pallets of cans. The inside of the store was mostly dark; it was strange to see it like that. The employees stressed that we get in and get out of the store as quickly as possible as it could close at any second. It was probably the strangest shopping experience that I have had, trying to get items in a large, darkened supermarket as fast as I could. When I saw the faces of the other shoppers in the store as I shopped, I did see some panicked looks on some of them. Again, it was a surreal experience.

      Walking back home with the food, I witnessed all manner of law enforcement vehicles and Army vehicles on the streets. It looked like a war zone to say the least out on the streets where I lived during the riots. One night, a row of stores was set on fire just on the other side of the property where I and my roommate lived. As bad as that was, one of the stores was a shoe store that was going up in flames, and the thick black smoke came and settled on our house, and the houses around us. We lived in the small old style Hollywood cabanas, not very big, but two people could live there just fine. There were four of these cabana-type dwellings that stood alone but close-by ours. And just on the other sides of the cabanas were the stores, including the shoe store. The smoke from the fires were so thick at one point, we had to close up all the windows of the house to protect ourselves. I and my roommate went outside of our house when the smoke became very thick and noticed burning debris and sparks landing on the roof of our home from the stores on fire next to our property.

      Thankfully, after a long while we did finally hear the fire department arrive and deal with the fires next to our property. All of the little cabana-type homes we were living in survived the unsettling event. But the riots in Los Angeles continued on for a couple of more days, it was a very intense time. Me and my roommate stayed at home for a few days, and watched things unfold on the local news on television. We watched and I was personally astonished to see the auto parts store that I went to for parts for my car looted during the daytime, caught on one of the many camera views captured from a news helicopter, and then watch it be set alight that same evening and burn brightly in fire, again with a camera view captured from a helicopter. After the riots were declared officially over, I took a walk around my Hollywood neighborhood and found so much destruction and burned-out buildings. Some of these burned-out buildings were places that I used to shop at, but no more. So much hit me emotionally during that time; there was so much negativity among so many people living in the city at that point.

      I had moved to Los Angeles to share the musicality that I possessed with other great musicians there, and to share my technical experience with the great technicians there as well. I think that I accomplished this on some levels, and I was glad to interact with the many different people from all strata to accomplish some really great things in the entertainment business. While we did these things together, it was never about the color of our skin, it was always about the art that we were trying to make and the technology that we used to make things brilliant and joyful for people.

      I am glad to have survived what I will call the Los Angeles uprising, because that is what it was in the end to me. Certainly, it was the sense of so many people of color’s anger rising up, but it was also the sense of people of color rising up for hope to change relations between people in not only the city, but relations between people in the world for the better. Let us all hope for a brighter future and let us hope that there will never be another level of negativity expressed by so many people in a place known as the City of Angels.

    An in-depth and excellent documentary about the 1992 Los Angeles riots. Some scenes may be intense for young or sensitive viewers.
  • Sonny Griffin (Originally posted on December 12, 2016)

    Sonny Griffin (Originally posted on December 12, 2016)

      About a year or so after my arrival in the city of Amsterdam, The Netherlands in the mid-1990’s, as a bass player I found myself meeting quite a few very fine musicians, singers, and artists who populated the city. With me going to so many of the open mic and open jam nights the city had on offer, I played music one evening with a singer/guitarist whom I actually met on stage; he was a Dutch man who introduced himself to me as Sonny Griffin.

      Sonny was playing and singing his own brand of R&B and Soul music, and he had a great and deep repertoire of songs to choose from as well. It turns out that he had booked a lot of gigs and shows, and he stayed busy. At first, I would only see him occasionally at the jam nights, but shortly thereafter he asked me to join his band as a bass player and singer for an upcoming show he had booked outside of Amsterdam. I accepted. I was ready to gig at that point; I had invested in a good bass amplifier built by the people at Hughes&Kettner; the model was called the BassKick 505. I liked how this bass amplifier delivered great sound for me with all of the artists that I played music with in The Netherlands, and later, a bit beyond its borders.

      Sonny picked me and my bass gear up in his van, and we set off on our first gig together. The gig itself was a simple one; it was a backyard house party where the band had a space already set up for it to play. I met my new band mates as we set up our gear, and Sonny was kind enough to introduce me to them all as we talked about which songs we were going to play together that evening. I liked a lot of things about Sonny early on, and one of the things that I liked about him was something I liked about myself; that we were not biased about which gender plays which instrument in a band. The drummer in the band that night was female and a fabulous player, we played soul, funk and r&b songs that kept people dancing for quite a while at that party.

      After the success of playing music at the party that evening, Sonny asked me if he could call on me to do a few more gigs and shows with him that he had coming up. I said yes, as Sonny was a marvelous singer who played some good guitar, mostly rhythm guitar in his band. This began a musical relationship that was to last for all of my remaining years of living in The Netherlands, and a musical relationship that I will always cherish.

      Sonny and I worked on a lot of songs together, and he also wrote good amount of his own original songs. I enjoyed playing his original songs with his band; a couple of them were good dance floor songs that he would weave into the band’s sets among the popular cover songs that he would play. Sonny liked the idea of me being in his band also for my vocal ability; when it was time for him to have a break after singing so many songs, I would step up to the microphone and take over the lead vocal duties for a few songs. People who attended the many events that we played at always liked my voice and my native African American accent while I sang. This added a nice feature to Sonny’s band, and he was already popular and had many Dutch fans that followed him and attended his shows.

      After a year or so of playing shows with Sonny’s band, I then asked him to take a role as a rhythm guitarist and singer in my own band, Jerome Lee City. He said yes, and I became a fortunate musician to have him play many of the shows that Jerome Lee City played in the Amsterdam area up until the time I left the city in 2003. Sonny would find gigs all over Holland, and at venues that were always fun to perform at. During the late 1990’s, he had us perform as a band at some really nice clubs, pubs, and a gig at an actual castle in the south of Holland, near Maastricht, that was just great. Towns and cities named Eindhoven, Venlo, Tilburg, Breda, Utrecht, Nijmegen, Amersfoort, Zwolle, The Hague, Rotterdam and more were included in the places we did shows, it was a great experience for me to visit so many places with Sonny in Holland.

      A high point in our collaboration was the assembling by Sonny of a special band of some popular professional Dutch musicians to back him up for a very special concert series he had created called “Soul Shadows”. The Soul Shadows series came about after Sonny, and I had been playing music together for close to four years. I was elated and excited to be chosen by Sonny to be his bass player for the show series. He was inspired to use the name Soul Shadows in celebration of the original music of the same name by The Crusaders. Hey, The Crusaders influenced us all at some point! I thought it was a great title for the show series indeed.

      Sonny was a great organizer, manager and band coordinator all wrapped into one person. He had worked out dates for the Soul Shadows series at a nice theater in Amsterdam called Theater De Krakeling. From what I understood, Theater De Krakeling was mostly used for children’s plays and shows; the theater staff was very open to the children of the community which is why it had so many events in the theater for them. But they also held events there for adult attendance as well. The Soul Shadows concert series by Sonny Griffin was scheduled during the year 2000 and had four total performances at the theater; one performance about every three months during that year.

      The musicians that Sonny chose for the Soul Shadows concert series at Theater De Krakeling were stellar musicians without a doubt. They could all play solo parts on their chosen instruments like mad; they were all seasoned pros for real. Sonny asked all of us at the very first band rehearsal to not go off too heavily as players, you know, not to take away from the groove that we establish for each song. Sonny wanted a true soul and r&b feel to come from us; he wanted the way we felt inside about those genres to emerge during each concert. I was the lone American in the band, and the guys in the band asked me early on if it was alright for them to speak in their native language, Dutch, while we were all together at rehearsals and shows. I told them that it was quite alright to do that, I was constantly working to get my Dutch language skills going a bit better anyway. They told jokes and had a good time and made me feel comfortable.

      Finally, the first Soul Shadows concert performance by Sonny Griffin at Theater De Krakeling took place in April of 2000. Setting up for the show, I noticed the serious amount of live recording gear that was brought into the theater for us to record with. In Holland, I learned that the major media broadcast centers were mostly in or near the towns of Hilversum and Bussum. There were also quite a few recording studios located in and around those towns. Sonny eventually mixed and mastered the live concert CD at a studio in a town in that area called Kortenhoef. Two guys that I met named Pieter and Menno took charge of the live recording process for all of our concerts at the theater. They brought in a multitude of microphones, direct boxes and cables. And for a couple of the concerts at the theater, they brought in a Sony PCM-3348 digital reel-to-reel recorder to capture everything on. I thought that was really cool, and I did get to listen back to a little bit of the raw live recording over a pair of headphones just after a show, it sounded really great.

      After the Soul Shadows concert series was complete in 2000, Sonny asked me to do more duo gigs with him. He had taken a bit of a break at that time from having live bands so often, but he did not want his gig contacts to diminish. He had done a fair number of solo gigs, but he said he found it more fun to do more duo gigs. Again, I said yes, he didn’t have to ask me twice. We went out around Holland as a rhythm guitar and bass guitar duo, and both of us would sing. I was amazed yet again at the places and venues that we perform at. Sonny had a professional working relationship with an organization in Holland known as Center Parcs. Center Parcs was responsible for a large amount of public community recreational properties all over Holland, Germany, Belgium, France, and England, and booked many other entertainers at them.

      Living in Amsterdam puts one close to the water, Sonny once booked a duo gig for me and him on a nice sailing ship that was docked in the city harbor, and he also later booked a gig on a sailing ship for the Soul Shadows concert band during the annual Amsterdam event known as Sail Amsterdam.

      I will never forget my wonderful and positive experiences that I had with such a bright, warm, caring and intelligent soul as Sonny. He was a great friend, a great singer, a cool guitar player, and a great spirit. Sonny’s work and music can be found today on his official website, and there is more music to be found at his YouTube channel. Miss you Sonny and thank you always for being you!

    Sonny Griffin Official Website – https://www.sonnygriffin.nl/

    Sonny Griffin – Soul Shadows CD cover art, 2000
    Jerome Lee (left in photo) in concert with Sonny Griffin (center in photo) at Theater Krakeling, Amsterdam, the Netherlands, 2000
    Sonny Griffin performing his “Soul Shadows” concert at Theater Krakeling, Amsterdam, NL 2000
    Sonny Griffin performing his “Soul Shadows” concert at Theater Krakeling, Amsterdam, NL 2000
    Jerome Lee playing his bass in concert for Sonny Griffin at Theater Krakeling, Amsterdam, NL 2000
    An official concert poster advertising the Soul Shadows concert series to be held at Theater Krakeling, Amsterdam, NL during the year 2000
    Jerome Lee and Sonny Griffin worked as a duo for several years in Amsterdam, NL – this poster for a Cafe 4 Fier performance in 2001